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Indirect Flow Through Passages: Trinh T. Minh-ha’s Art Practice

Output: Contribution to journalA2: International peer reviewed article (not A1-type)

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Film-maker An van. Dienderen uses the ideas of the 'interval' and plural authorship to situate Trinh T. Minh-ha's films and books within the many worlds - post-colonial, feminist, independent film, artistic - into which her works cross over.
Original languageEnglish
JournalAfter All, Journal of Art, Context and Inquiry
VolumeSpring issue
Issue23
Pages (from-to)90-99
Number of pages9
ISSN1465-4253
StatePublished - 2010

ID: 5433362